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The poet is like an unhappy bulbul, singing sad songs, wailing. Poets often refer to themselves as ‘bulbul’. Phool Ghaarat 4 ho gaye, barbaad 5 kaliyaaN ho gaiiN 1.unhappy 2.cursed 3.wailing 4.destroyed 5.destroyed, trampled Your eyes, O stricken with separation from the beloved, are closed so tight as if you are not aware.īulbul-e naashaad 1 ye man’hoos 2 naale 3 band kar Don’t you know who has arrived to inquire after you. Either the poet is speaking to himself or someone else is speaking to the dying poet.
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The beloved has arrived to inquire after his health. The poet/lover is on his death bed, last breath. Kya nahiN maa’loom kaun aaya ayaadat 1 ke liyeĪisi band aaKheN teri biimaar 2-e hijraaN 3 ho gaiiN 1.to visit, to inquire after health 2.sick 3.separation (from the beloved)
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His desire emerged in the shape of tears and could be seen clearly. But his sorrowful glance of longing revealed the secret. Traditionally, the poet/lover hides his love so as not to malign the reputation of the beloved. Meri hasrat 1 ki nazar 2 se raaz 3-e ulfat 4 khul gayaĪarzueN 5 ashk 6 ban ban kar numaayaaN 7 ho gaiiN 1.intense grief, longing 2.glance 3.secret 4.love 5.desires 6.tears 7.emerge, visible Here his is bidding goodbye to the gardener and taking his nest elsewhere because lightning strikes have become the sworn enemy of the life of the garden. In urdu poetic tradition lightning always strikes the nest of the poet/lover portrayed as a bird.
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The captor could be the beloved who wants full and exclusive attention of the poet/lover, does not like the distraction of his yearning for the garden.ĪashiyaaN 1 apna uThaate haiN, salaam aye baaGhbaaN 2īijliaaN 3 ab dushman-e jaan-e gulistaaN 4 ho gaiiN 1.nest, home 2.gardener 3.lightning 4.garden What can I do, my friend, I did not know the captor. The captor saw this and got angry and punished him even more. He did not fully understand the habit/nature of the captor and cast his glances towards the garden. Hum-nafas 1 sayyaad 2 ki aadat 3 ko maiN samjha na thaīhool 4 kar nazreN 5 meri suu 6-e gulistaaN 7 ho gaiiN 1.friend 2.captor 3.habit 4.in forgetfulness/ignorance 5.glance 6.towards 7.garden Why did you give me such/so many difficulties that I got used to them! What can I do if they have become a source of embarrassment. It appears that he is sighing because his difficulties have become easy i.e., just like Ghalib, he has had so many difficulties that he has become used to them. They have become a source of embarrassment (it could be either to him or to the beloved). Says Ghalib, “mushkileN itni paRiiN mujh par keh aasaaN ho gaiiN”. MushkileN 4 aisi mujhe kyuN diiN jo aasaaN 5 ho gaiiN 1.sighs 2.shame, embarrassment 3.means, source 4.difficulties 5.easy Kya karuN aaheN 1 jo rusvaaii 2 ka saamaaN 3 ho gaiiN So, how can the healer pull out these arrows to heal him! They penetrate the poet/lover’s heart, break off and get hidden/lost. TooT kar nokeN tere tiiroN ki armaaN 4 ho gaiiN 1.healer 2.how 3.hidden 4.desires Every grain of sand became like the expanse of the desert.Ĭhaaragar 1 kyuNkar 2 nikaale dil meN pinhaaN 3 ho gaiiN Each stage of my life, in my exile has become a curse. It is well known that qamar jalalavi was unhappy with his move to pakistan and even tried to return. Vus’ateN 4 ek ek zarre 5 kii biyaabaaN 6 ho gaiiN 1.destinations, stations on the way to the destination 2.being away from home, exile 3.curse 4.expanse, possibilities 5.grain of dust 6.wilderness ManzileN 1 Ghurbat 2 meN mujh ko aafat 3-e jaaN ho gaiiN This is composed in the zamin of Ghalib’s ‘Khaak meN kya soorateN hoNgi keh pinhaaN ho gaiiN’. He wrote Ghazal is chaste classical style, many of which have been put to music.
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He was popularly known as ‘ustaad’, for his expertise in repairing bicycles, which is how he earned his living initially and later, lived in penury, in spite of his excellence as a poet. mohammed husain ustaad qamar jalaalavi (1887-1968), was born in jalaali, near aligaRh, moved to pakistan after partition/independence. Click here for background and on any passage for word meanings and explanatory discussion.